It's always a pleasure to see how creative people use the collections of the Museum of Domestic Design and Architecture (MoDA) for inspiration. It's something we're really interested in, because it's clearly something we want to encourage to happen more. I've recently been working with Linda Sandino from Chelsea School of Arts on a project funded by Share Academy in which we interviewed seven MA Textile Design students from Chelsea. We videoed them talking about their approach to objects from MoDA's collections and the different ways in which they were able to use the objects they chose to inform the development of their creative practice.
We're still working on our findings, and we'll put some of the video clips up online soon. But in the meantime, it was great to see some of those same students at their degree show last Friday night.
Alex Beattie was particularly inspired by some of MoDA's 1920s wallpapers. His textile designs, featuring acid-bright colours and dream-like landscapes show a clear progression from some of the things he looked at when he visited. But for Alex, his inspiration wasn't just in the emulation of motifs and colours - in his video interview he talked in a really interesting way about looking to MoDA's wallpapers to help him resolve technical issues to do with the creation of the illusion of depth and perspective in his designs.
|Linda Sandino (left) and Darshini Sundar|
Darshini Sundar came to MoDA in search of block printed textiles and geometric motifs; her work involves developing traditional block printing techniques with workers in the south of India. I was really impressed by the way her textile designs used natural dyes and simple shapes to create deceptively complex patterns.
|textiles designed by Darshini Sundar|
For many studio-based students, the history behind the objects in museum collections are not their primary interest - they are often more concerned with techniques of making, with colour and with motif. Jaswant Flora was unusual in that her interest was in the history of cotton as a commodity, and in the physicality of objects. She was also interested in the idea that textiles can tell a story, and the idea of mark-making and narrative. She commented in her interview: "...MoDA helped me a lot because it did make me understand how I could apply it [my textile design] into a narrative as well"
It was great to catch up with all of the students at the degree show, to see their final work and to hear a bit more about their visits to the Museum of Domestic Design and Architecture influenced the development of their ideas. We wish them all the best for their future careers, and hopefully we'll see them at MoDA sometime again.